Katie Von Schleicher - Shitty Hits CD
Katie Von Schleicher’s Bleaksploitation was an accident, years in the
making. While interning at Ba Da Bing Records, owner Ben Goldberg
offered that she make a cassette for the label to release. It could be
anything, demos or a live performance, but she took it a bit more
seriously than Goldberg intended. The result was her first
self-produced and engineered effort, a strange, hazy, pop-laden tape.
Doing her own press under a pseudonym and referring to it as an
“album,” Von Schleicher garnered enough attention for Bleaksploitation
to see it released on vinyl in Spring 2016.
On her debut full-length, Von Schleicher strikes again on the magic
that comes from her warped and uncompromising sound. Shitty Hits
channels the bright, sunny radio burners of the 1970’s, songs you
drive to, carefree, and songs you can cry to.
From start to finish, Shitty Hits confronts feelings of isolation and
powerlessness. Opener ‘The Image’ (named for Daniel Boorstein’s The
Image: A Guide to Pseudo-events in America) finds Von Schleicher at
bottom, struggling for perspective: “The image runs and runs together
/ I’m glancing at it on a screen / I can’t tell you how I feel / It
runs and runs together / I’m standing beneath it.” Overheated vocals,
distorted drums and unwieldy guitars push back, unrelenting. Von
Schleicher fights to get out of her head the way Springsteen tries
beating it out of town. Shitty Hits doesn’t tackle grandiosity, but
mediocrity; the struggle of being deeply flawed and unmistakably
human.
Conjuring the home recorded sound of Paul McCartney's McCartney or
Jeff Buckley’s Sketches For My Sweetheart The Drunk, Shitty Hits was
created on a tape machine at Von Schleicher's childhood home in
Maryland. Where Bleaksploitation courted a kind of sonic nihilism,
Shitty Hits shows confidence and growth. It ends in unflinching
self-realization, as Von Schleicher sings “Where is everything I hold
to be true? / When you feel like you’re a door they’re knocking on /
Or worse, that no one passes through / Do I hold my life? / No one’s
gonna sell it back / Over my head.” Words form the questions, answers
are given in sound.
making. While interning at Ba Da Bing Records, owner Ben Goldberg
offered that she make a cassette for the label to release. It could be
anything, demos or a live performance, but she took it a bit more
seriously than Goldberg intended. The result was her first
self-produced and engineered effort, a strange, hazy, pop-laden tape.
Doing her own press under a pseudonym and referring to it as an
“album,” Von Schleicher garnered enough attention for Bleaksploitation
to see it released on vinyl in Spring 2016.
On her debut full-length, Von Schleicher strikes again on the magic
that comes from her warped and uncompromising sound. Shitty Hits
channels the bright, sunny radio burners of the 1970’s, songs you
drive to, carefree, and songs you can cry to.
From start to finish, Shitty Hits confronts feelings of isolation and
powerlessness. Opener ‘The Image’ (named for Daniel Boorstein’s The
Image: A Guide to Pseudo-events in America) finds Von Schleicher at
bottom, struggling for perspective: “The image runs and runs together
/ I’m glancing at it on a screen / I can’t tell you how I feel / It
runs and runs together / I’m standing beneath it.” Overheated vocals,
distorted drums and unwieldy guitars push back, unrelenting. Von
Schleicher fights to get out of her head the way Springsteen tries
beating it out of town. Shitty Hits doesn’t tackle grandiosity, but
mediocrity; the struggle of being deeply flawed and unmistakably
human.
Conjuring the home recorded sound of Paul McCartney's McCartney or
Jeff Buckley’s Sketches For My Sweetheart The Drunk, Shitty Hits was
created on a tape machine at Von Schleicher's childhood home in
Maryland. Where Bleaksploitation courted a kind of sonic nihilism,
Shitty Hits shows confidence and growth. It ends in unflinching
self-realization, as Von Schleicher sings “Where is everything I hold
to be true? / When you feel like you’re a door they’re knocking on /
Or worse, that no one passes through / Do I hold my life? / No one’s
gonna sell it back / Over my head.” Words form the questions, answers
are given in sound.